52 result(s) for “Drama”
A European Union Copernicus analysis released on September 30 finds record high ozone exposure across large parts of the world in 2026, singling out Indonesia’s peat and forest fires among regional contributors as El Nino conditions fuel a severe fire season.
Prime Video India unveiled a refreshed, wide ranging slate of upcoming films and series that doubles down on regional storytelling, theatrical collaborations through Amazon MGM Studios India, and new partnerships with major Indian talent and production houses.
Nearly two years after its theatrical run, the Hindi sports drama Main Ladega, led by Akash Pratap Singh, begins streaming on JioHotstar on September 30, giving the film a fresh chance to find audiences beyond a muted box office showing.
iQiyi pushed a slate of fresh Chinese series live on Sept 29, led by the short romantic revenge drama 假面告白 and the crime‑tinged collection 余红旧事, signaling a late September programming surge ahead of China’s National Day holiday.
Anupam Kher was presented with a Certificate of Recognition in Toronto on September 29, 2026, acknowledged for his contributions to cinema, storytelling, education and mentorship while touring North America with his Hindi musical play.
London has become a frenetic production hub this autumn, with Warner Bros and international studios staging large scale shoots across the capital. The surge in activity highlights Britain’s continued place at the centre of global blockbuster and prestige television production.
ABC’s Scrubs revival, which rebooted the hospital comedy for 2026, will return for a second season with a two-episode premiere on Wednesday, September 30. The new run brings back core original cast members while shifting more narrative weight to a new generation of interns.
The acclaimed Belfast police drama Blue Lights returns to BBC One and BBC iPlayer on 29 September 2026, with the full fourth series available as a box set on iPlayer from 6am and an evening linear premiere at 9pm. The new season expands the show's focus on frontline officers while centring a high stakes murder trial that threatens to unsettle both the force and the community.
Maddock Films will launch the trailer of Prahaar: The Untold Story of Ujjwal Nikam at Chhatrapati Shivaji Maharaj Terminus on September 29, marking an unprecedented film promotion at the station tied to the 26/11 attacks.
O3 Medya has begun international sales for Şapkacı Kadınlar, retitled The Hatmaker, unveiling a MIPCOM poster featuring Pınar Deniz and Selahattin Paşalı. Eccho Rights will represent the series to buyers as production prepares to start in Turkey in November and a domestic premiere is slated for early 2027.
Spain’s film community has named three contenders to represent the country in the Best International Feature Film race, with Javier Calvo and Javier Ambrossi’s La bola negra joining Rodrigo Sorogoyen’s El ser querido and Alauda Ruiz de Azua’s Los domingos in the short list. The Academy of Cinematographic Arts and Sciences will name the final Spanish submission in mid September.
Disney Plus and Korean production partners confirmed today that filming for the second season of the hit Korean series Moving has resumed in Seoul, with a new major cast addition and a refreshed production schedule targeting a 2027 release window.
Brisbane staged a stunning late comeback to beat Fremantle 96 to 89 at the MCG, completing a third straight AFL premiership before a crowd of 100,023 and delivering Australia’s most watched sporting broadcast of the year.
During the September 27 Weekend Ka Vaar episode of Bigg Boss 20, Salman Khan warned about the growing threat of AI-generated deepfakes and called for criminal penalties, saying imprisonment may be needed to deter misuse. His remarks have reignited debate in India about regulation, platform responsibility and celebrity safety.
Hengdian World Studios is repackaging itself as an interactive entertainment destination, selling hour long short drama experiences to tourists as AI generated content cuts professional shoots. The move highlights how China’s experience economy and the rise of synthetic media are reshaping jobs, visitor offerings and the film city’s business model.